Creates a performance group focused on public interventions and performs regularly on beaches, squares, theaters, television.
Begins "Pornograms", series of works that merge poetry, photography, performance and body politics.

Begins to wear a pink mini-skirt both to carry out daily chores and in performances.
Creates object-poems, sticker-poems, t-shirt-poems and other non-traditional forms.
Publishes two poetry books.

Conclusion of performance series with intervention and demonstration on Ipanema beach, Rio de Janeiro.
Conclusion of "Pornograms".
Expands experimentation with multiple media and processes, including graffiti, photography, visual poetry, artist's book, rubber stamps, photocopiers, clothing, billboards.
Creates his first digital poem "No!".

Participates in the landmark exhibition "Como Vai Você, Geração 80?", at Escola de Artes Visuais do Parque Lage, Rio de Janeiro.
Installs a digital poetry permanent display at Centro Cultural Cândido Mendes, Rio de Janeiro. Inaugurates the digital poetry permanent display with his digital poem "No!".

"A-positive" (with Ed Bennett) premieres at Gallery 2, Chicago.
"Time Capsule" is commissioned and subsequently censored by Itaú Cultural Center, São Paulo, generating media controversy.
"Time Capsule" is presented live on televison, as a live webcast, and at Casa das Rosas, a cultural center in São Paulo. It is the first microchip implant tracked online. The international press debates its social and cultural implications.

Alba, the green fluorescent rabbit, is born in Jouy-en-Josas, France, as part of the work "GFP Bunny".
"GFP Bunny" presented publicly at Grenier à Sel, in Avignon, in the context of the Avignon Numerique festival.
"GFP Bunny" is censored by the lab where Alba, the green bunny, was born, thus generating media controversy.
Front page article on "GFP Bunny" in the "Boston Globe" starts international press chain reaction and provokes global debates on the social presence of genetically engineered organisms and their cultural implications.
"Genesis" is shown at Itau Cultural Center, São Paulo
Fellowship (Phase I) at Institute for Studies in the Arts, Arizona State University, Tempe, to develop "The Eighth Day"
"Genesis" is shown at Exit Art, New York
The book "Eduardo Kac: Telepresence, Biotelematics, Transgenic Art" is published.

Ronald Feldman Fine Arts, New York, "American Dream: A Survey" ("Free Alba!" photographs, t-shirts, "It's not easy being green!" artist's book)
Lieu Unique, "L'Art Biotech", Nantes, France ("Free Alba!" photographs,, "Transcription Jewels", "The Eighth Day" video", "Free Alba!" posters)
Public art commission for the University of Minnesota, MN
The book "The Eighth Day: The Transgenic Art of Eduardo Kac" is published
Begins development of "Natural History of the Enigma" (Edunia)

Mid-career survey at Instituto Valenciano de Arte Moderno (IVAM), Valencia, Spain, with catalogue [curator: Angel Kalenberg]; "Time Capsule" online event during the opening celebrates 10th anniversary of microchip implant
"Genesis" and "Telepresence Garment" accessed into IVAM's permanent collection.
"Specimen of Secrecy about Marvelous Discoveries" : solo show at Fringe Exhibitions, Los Angeles
Solo show at ARCO 2007 with Laura Marsiaj Gallery
As the first poet-in-residence at the French Poetry Biennial, Kac holds the exhibition "Hodibis Potax," a survey that includes holopoems, digital poems, and biopoems.
Kac's book "Hodibis Potax," collecting Kac's experimental poetry, is published by Action Poétique (France) and Kibla (Slovenia) in English and French
Kac's book "Signs of Life: Bio Art and Beyond", is published by MIT Press
Kac's book "Media Poetry: an International Anthology" (2nd edition; 1st edition 1996), is published by Intellect, Bristol, UK
Kac's book "Life Extreme," in collaboration with Avital Ronell, is published by Dis Voir, Paris, as separate English and French editions
The monograph "L'art à l'ère des biotechnologies: La question du vivant dans l'art transgénique d'Eduardo Kac" [Art in the Biotech Age: The Transgenic Art of Eduardo Kac], by Mathieu Noury, is published by Le Manuscrit, Paris.

"Natural History of the Enigma", solo show at the Weisman Art Museum, Minneapolis
"Natural History of the Enigma" prints and seedpacks containing Edunia seeds accessed into Weisman Art Museum permanent collection.
"Natural History of the Enigma" receives the 2009 Golden Nica Award (Hybrid Art category), the highest prize awarded by Ars Electronica, the most prestigious award in the field of media arts
Solo show at Center for Contemporary Art, Gdansk, Poland, "Lagoglyphs : The Bunny Variations"
Solo show at Black Box Gallery, Linz, Austria,"Lagoglyphs : The Bunny Variations"
"Genesis" is shown at Espace Sextius, during the Seconde Nature Festival, in Aix-en-Provence, France, celebrating ten years of non-stop exhibition of this work
Visiting Artist at Le Fresnoy, France; Kac's commission [the biotope entitled "Doohickey"] is exhibited in the show "Panorama".

"Pornograms", solo Show at Laura Marsiaj Arte Contemporânea, Rio de Janeiro
"Lagoglyphs, Biotopes and Transgenic Works", solo show curated by Christiane Paul, Oi Futuro, Rio de Janeiro
The bi-lingual book book “Eduardo Kac: Lagoglyphs, Biotopes and Transgenic Works” (English-Portuguese) is published by Oi Futuro and Contra Capa
Hodibis Potax is published by Contra Capa, Rio de Janeiro (English-French-Portuguese)
The book "Eduardo Kac : El creador de seres imposibles" [Eduardo Kac: Creator of Impossible Beings], edited by Andrés Burbano, is published by Universidad de Caldas, Manizales, Colombia and Brumaria, Madrid.
The Spanish translation of Kac's book "Telepresence and Bio Art" is published in Spain by Cendeac
DVD Boxed Set published by Video Data Bank, Chicago
Artist's residency in Santiago de Compostela, Spain.