In Erratum, pairs of words are seen in a field in which layers
of colors embed and dissolve the verbal forms. The words are
nearly homophonous and always suggest contrasting meanings.
These images are hand-painted on a computer employing a whole
repertoire of rips, blurs, scratches, warps, slashes,
composites, scrawls, color manipulations, smears, gashes,
filters, gougings, scaling, abrasions, transparencies,
inscriptions and overpastings.
"Eduardo Kac inhabits a digital culture, the fast-growing
realm of the Internet populated by "netizens" who communicate
across the back fence and around the globe via computer network.
Kac's Erratum series gives visual form to his concern for what
he describes as the negotiation, rather than communication, of
meaning. Kac's play with near homophones such as "knife" and
"night" suggests that meaning is not inherently fixed. The
layered ground -- from which the words emerge and dissolve like
a palimpsest -- visually renders this sense of instability."
"Through the Looking Glass," in KY/SCnyc, p. 7
(catalogue of homonymous exhibition realized at the National
Arts Club, New York, 1996)
Erratum 1
Erratum 2
Erratum 3
Erratum 4
Erratum 5
Erratum 6
Erratum 7