THE EIGHTH DAY -- BIBLIOGRAPHY

Beiguelman, Giselle. "A coelhinha e a bioarte", Trópico, Universo On Line, São Paulo, Brazil, 27 Nov 2001, n.p.n. (Portuguese)

Bosco, Roberta and Stefano Caldana. "Un Mundo Verde Fluorescente", Ciberp@is Mensual, Madrid, nº 15 - Octubre 2001. (Spanish)

Causey, Matthew. "The Eighth Day". Crossings: Ejournal of Art and Technology, N. 1.3 , 2002. <http://crossings.tcd.ie>

Dreher, Thomas. "The Eighth Day", Internationalen Archiv für Sozialgeschichte der deutschen Literatur (IASLonline), Munich, Germany, December 2001. (German)

Eskin, Blake. "Building the Bioluminescent Bunny", ARTnews, December 2001, (Volume 100/Number 11), in the special section The Next Wave: Ten Trendsetters to Watch, pp. 118-119.

Blake. Girst, Thomas. " Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag"." Frankfurter Rundschau, Feuilleton, 22.08.2001. (German)

Hauser, Jens. "Der Achte Tag", ZDF website, 8 November 2001. (German)

Ichbiah, Daniel. Robots: From Science Fiction To Technological Revolution (New York: Harry N Abrams, 2005), pp. 456-457.

Kac, Eduardo. "The Eighth Day", Kac Web, October 25, 2001.

__________. "Bio Art: Proteins, Transgenics, and Biobots" / "Biokunst: Proteine, Transgenik und Bioboter", in TAKEOVER - Who's doing the art of tomorrow?/Wer macht die Kunst von morgen?, Gerfried Stocker and Christine Schopf, eds. (Vienna: Springer Verlag, 2001), pp. 118-124 (English) and pp. 125-131 (German).

__________. "O Oitavo Dia", Tradução de Ana Valéria Lessa. In: Maciel, Katia (org). Redes sensoriais: arte, ciência, tecnologia (Rio de Janeiro : Contra-Capa, 2003), pp. 259-264. (Portuguese)

___________. “The Eighth Day”, Intelligent Agent, vol. 3 no. 1, 2003 (online).

___________. "Transformation du Vivant -- Mutation de l'Art", in: Jens Hauser, ed. L'Art Biotech. Catalog. (Le Lieu Unique, Nantes, France, 2003), pp. 33-42. (French)

___________. "The Eighth Day", in: Maria Fusco (ed.). Wonderful: Visions of a Near Future (London: NESTA and the Wellcome Trust, 2004), pp. 55-58.

___________."Criação de Novos Seres Vivos: A Mutação da Arte", Nada, N. 2, 2004, Lisboa, pp. 92-107. (Portuguese)

___________."El Octavo Día", in: Mungi, A., C. Elorza, I. Billabeitia, eds.: 2003. Arte y pensamientos en la era tecnológica (Bilbao: Universidad del País Vasco, 2004), pp. 123-133. (Spanish)

___________. "Le Huitième Jour", INTER Art Actuel, N. 92, November 2005. (French)

___________. "Transgenic Art: Synthetic Genes, Transgenics, and Biobots", in: Franz Fischnaller, ed., E-art (Rome: Editori Riuniti , 2006). (Italian)

Kuhn, Karl. "Eduardo Kac: Interview", Select, V.2, Chicago, 2001, pp. 14-21.

Lucie-Smith, Edward. Art Tomorrow (Paris : Editions Pierre Terrail, 2002), pp. 242-244.

Lynch, Lisa. "Trans-Genesis: An Interview with Eduardo Kac", New Formations, N. 49, Spring 2003, London, pp. 75-90.

Popper, Frank. "The Transgenic Art of Eduardo Kac", Artpress, Paris, N. 276 February 2002. (French and English)

Sokolovsky, Marina. "XNMEPbI", Le Taburet design magazine, N. 9, The Urals, Russia, 2004, pp. 42-43. (Russian)

Stanisci, Carolina. "Eduardo Kac: Interview", Latinarte, N. 6, November/December 2001, p. 9. (English and Portuguese)

Tanni, Valentina. "Eduardo Kac e l’ottavo giorno della creazione", ExibArt, Firenze, Italy, October 29 2001. (Italian)

Wang, Cristine. "The Ethics of Knowledge", NY Arts Magazine, Vol.6, No.12, December 2001.

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